Saturday, June 25, 2011

i think this is the last of it!

One more found piece from the spring of 2010. Please to note that this was not at all representative of the whole week. :) And please to pardon the last three lines. I don't know where they came from or where they're going and it's been too long to change them.


Chicago, 1

What frightens me most about this place
Is the sky. My window is on the second floor;
I am level with the street lights, the
Sodden mud mosaic bricks shifting mirage-like
Through half-blinked blinds. I look down
And out; I am only here for five days.
The curve of the street lights mimics the wings
Of carpetbagger gulls and the humped median,
Arching its back against the sky like the ribs
Of an umbrella. This sky comes down
And eats roofs in the fog; a ladder
Runs into the gray density from one roof,
Forgotten against an AC unit, like a sacrifice.
And will I learn to brace against the damp,
Give it what it wants and still remain?
Can I look you in the face, griffin city?

Wednesday, June 15, 2011

it's been a long time

since much of this was written. Perhaps long enough to find its way into a public sphere. Not that anyone reads this little old blog, anyways. :)

I've been sorting for the past month. Sorting and throwing things out is very cathartic for me, and always has been since that year I almost ran to South Carolina. There's just a very lot of freedom in knowing you could stuff everything you own into the backseat of your car and fly anywhere. We are strangers, after all, pilgrims who "desire a better, heavenly country," and it does my heart good to shed a few more suitcases every once in a while. (It does my heart better to read the rest of the verse, which you should go and find yourself in Hebrews 11.)

In this particular rummage, I've been finding old journals and notebooks, scraps of ages past buried beneath the health notes, birthday cards, and innumerable love letters from Caroline and Seth. (Sidey-side note - I ought to be more like them. [later - ironic in light of poems...bahaha.]) I also found a handful of old poems, all written for a fiction class in the fall of 2009 or spring of 2010. I am posting them here for posterity, just in case my computer dies, but - they all need sequels. Which I can write, now, in this age of grace. :)


Written September 2009, edited again in November, strongly resisting a desire to edit once more! I have gone back and redeemed this place already; will have to write that up. All things new. :)

St. John's Cemetery, October

I found the place myself, and it was lonely -
The hills stand back, just beyond reach;
The wind rattled by, leaving me tall, strikable,
In a field of dead sunflowers.
I had stopped to walk in the graveyard
With its marble angels and acolyte pines,
But they were not taking visitors
And the fence hustled me on,
Past a ravine where ghosts sunbathed as dusty birches,
Up the hill beyond the cemetery.
Geometry fell before me - the chain-link
Square, fuzzy bushes perching on banks,
A precise highway bisecting the west.
Windshields glinted with the mass concentration of salmon,
Muffled out by the shimmering atmosphere
Between. I sat down among the sunflower
Skeletons and watched the silence float in the air.


Also from the fall of 2009. Good in concept, but very badly done; I apologize.

Inheritance

You have succeeded,
Jessie Miller, great-great grandmother,
Deceived me into carrying
Your heritage. The family story went
That we were Amish, until you ran to California
And those you left were shunned.
When people asked about my name, it was
A melodrama to tell, like a novel,
Like fiction.

Last week, at a funeral, I acquired
A scrapbook of photos, old photos. I flipped
Through the pages, found you seated there,
Squinting at me, head turned
With the predatory precision of a praying mantis.
Your clothes were elaborate, frothy, machine-sewn.
Your husband wore glasses and smooth-greased hair.
There were no severe collars, no monotone hats,
No draft horses or cattle. Three children.
The other half of the family never heard
That they were Amish, and gaped at me.
Only I am assigned to propagate stories
Of yours; I would have told my children.
You have left me as you left your husband,
Homeless, explaining away the lies you scattered.


...this poem is going on two years old. It contains little identifying detail. And these things always have so much less power when thrown to the sunlight. So I am putting it here, where no one will ever notice, (and if you are long gone, please don't notice; it isn't my intention to beat you with this again) in the cyber equivalent of throwing it to the winds. All things new. :)

Note Paper

November has come early. The sky
Is deep and intricate, a dry rotting plush.
My car swings up next to yours,
And I set my boot heels emphatically
Onto the wasting black asphalt
Of the Eastland Mall parking lot.
I squint through the glass doors to where you are
Selling sugar-drowned pretzels inside.
Against the wind, I clutch
A torn scrap of paper, written
Earlier in the day so its intent cannot change.
As I walk around your car, I run
My fingers over the bleaching bumper stickers,
The rusty gravel nicks above the tire well.
One quick glance - I always expect
Mall Security to come whining up
When I clack open the wrinkled Toyota door.
I lean in, half-kneeling, to place the note
On the console, and I am crushed
In the smell of you.
It is like cider, onions, autumn;
A root cellar, smoky-dark and devastatingly sweet,
With splintered Mason jars in the corners.

You smell like three nights ago,
The long drive home where you sat here
And I sat there. The sky was full
In the darkness, and I carved
My nails into the door handle.
You told me many ugly things,
Growled imploding confessions of treason,
Beat the steering wheel, yourself.
I twisted my ring and took it like a priest
For a long time. Chewed forgiveness, and
Spat it out the window. I cannot believe
Myself - to think you were in there
With her, while I left you these
Stupid little 1950s housewife notes.

I slam the door, wrap my arms
Around my shoulders, shake my hair.
The glass of the mall only glints
My own face back, heavy as the sky.
The slam sends my note paper scrap
Skittering down onto the floorboards, and I see
A nest of paper tucked into a pocket,
A smiling Post-It note gummed
By two summers onto the visor,
A faded pentagon slipped into the dash,
Covering the gas gauge. I love you.

Your stupid little notes
Make my week!
You hammered every syllable into the wheel,
Rasped and chewed your lip. You turned to me;
Your eyes were green, as they always are
Before they cry. Deep and full and heavy.

I am green; I sink into the driver's seat
And press my face against the steering wheel.
I cannot create enough barbed wire
To keep you out, it molders in my hands.
Trust died in that sky, and I will exhume it again, find enough
Machismo to be the 1950s housewife.


Also fall 2009. A bit more fictional than the rest. :) This one has actually already been released on the world, through last year's Fish Hook (the USI liberal arts journal).

Ice Princess

Two winters ago, the city rang
With ice. I remember mincing home, cringing
At the trees. The day before, they were
Neat-cut bones against the sky; tonight the ice,
Relentless, adamantine, drug them to the earth.
They shimmered in the cold, gorgeous pain, fragile
And lovely as captured princesses.

Later that week, I stumbled across
My old sign language teacher. After the first
Hello squeal and hug, she stepped back, cupped
Her florid hands around my shoulders. Baby, there's
Nothing to you. I can feel your ribs.
I laughed. I've been sick. But I could feel the warmth
Puffing out: I would take care of you.

To be doomed, one must be beautiful,
Or the tragedy is only a comedy.
I found that in a book and kept it:
Only the lovely are loved, the pathetic pitied.
I strait-jacketed myself in pain,
Skipped meals and slept on Sundays. Aches were precious,
The concave hips only a side bonus.
My essence was the blue Diana skin, ribbed
Wrists, opaque eyes. I was a ghost baby,
Goblin princess, glass tree, before the world glanced
Up. My soldier came home and cried over
My cell phone fine; I melted.


Also published in the Fish Hook, from spring 2010. In the fiction workshop, we peer reviewed each others' work, and I got an amazing response from this one - all sorts of touching, empathetic notes from guys and girls alike.

Looking-Glass

It makes me wince, some mornings, watching
My frail-boned body come from the shower
Towards the full-length mirror. My ribs
Fall meekly as drapes over a window,
Keeping the chill out. I draw
The towel around my shoulders, wrap
Its hunter's orange across my chest.
With it sanitarily under my chin, I can see
My face, the steamed flush pulsing between
Full, peppered cheekbones. I did not realize
Their shape until someone mapped them carefully,
Ordered me to smile and traced the topography with a blunt finger.

I hang up the towel and dress myself as distantly
And carefully as one dresses a paper doll. Just before jeans, I flip
One thigh toward the mirror, crunching the muscle, willing it
Taut and shining as the neck of a horse.
I contract my eyebrows, assessing muscle tone
With the ruddy alien squint of an overseer
Below the auctioneer's platform. I am cold,
I could not care twice, but neither has anyone else.
The hands that held my face always dropped it.
When I am through watching the opacity
Of my invalid ghost-baby body flicker in the light,
I turn from the mirror and close the bathroom door.


Finally, a pantoum, also spring 2010.

Apprentice
for Beth

You are the birdcage waif, my friend;
I whispered rumors of keys to you in the dark.
Recite the lesson for me again.
I taught you what I did not know.

I whispered rumors of keys to you in the dark:
When you are lost, sing here, and so loudly.
I taught you what I did not know,
Yet it looked right, hung in the sky.

When you are lost, sing here, and so loudly.
You took my wispy words and hammered them true
And they looked right, hung in the sky
Now, beneath you and your dance.

You took my wispy words and hammered them true -
Remind me how you twisted from the cage
Now beneath you and your dance,
How you have learned what I never said.

Remind me how you twisted from the cage:
You were the birdcage waif, my friend.
How have you learned what I never said?
Recite the lesson for me again.